By an anonymous singer friend. Shared with artist’s permission on Sep 17, 2019. Featured image is credited to photographer Theo Paul. The image shows a skeleton of yurt in the open air. This is an object that symbolizes the reduced mobility for nomads in Xinjiang. Due to the state development projects, more pastoral nomadic populations were sedentarized or pressured to change their livelihood. Metal yurt structures replaced original wooden ones, which are dissembled and resembled quickly in mobile pastoral lifestyle.
The term “genocide” began to be used by more and more scholars and activists to describe the situation in Xinjiang. In her essay, “‘Never again?’ It’s already happening,” Anne Applebaum compared global indifference to the Xinjiang atrocities today to indifference toward the famine in Soviet Ukraine in 1933, which was widely covered in western media at the time like Xinjiang today. Fred Hiatt used “Kristallnacht” (Night of Broken Glass) — the destruction of synagogues, cemeteries, and Jewish businesses — to describe the mass demolition of Mosques and Muslim cemeteries in Xinjiang today.
Artist Shimizu Tomomi (清水ともみ) rendered Mihrigul Tursun‘s testimony given at US Congressional hearing in Manga form. Mihrigul’s testimony gave accounts of various torture and gender based violence inside one of the ‘re-education camps’ in Xinjiang. It is never easy to gather the courage to speak on the trauma and inhumane treatment from an unjust system, especially for Uyghurs; this could mean retaliation to their families from the Chinese government.
Kazakhstan is facing Chinese expansion and surveillance directly across the border. At the same time, the youths there are fighting against their government’s corruption and autocracy. Bravo to these young artists’ creative initiative to reflect the truth behind the government orchestrated tour of the Xinjiang ‘re-education camps’!
Badiucao created the work titled “Xinjiang Auschwitz” on the 10th anniversary of the “7.5 Incident” which happened in Xinjiang in 2009—a violent clash broke out after long-term ethnic tensions came to a head, and was also a turning point for massive police surveillance and securitization of Xinjiang. The other work, “China’s Doctor of Death,” is inspired by an actual leaked photo from a concentration camp in Xinjiang. His work is an excellent visualization of how government policy aims to re-engineer Uyghur minds.
by Yi Xiaocuo, Oct 14, 2019 In light of the PRC government’s overreach and censorship in the US today, this comic visualizes a thought experiment in which the American pop culture icons—The Simpsons—stand in the shoes of the Uyghurs, Kazakhs, and other Turkic people in Xinjiang.