“Anjur (fig fruit)—is one of my favorite fruits! It always reminds me of my home and my beloved father! I ate my first fig fruit from my family’s orchard many many decades ago… now it all becomes memory!”
Aziz Isa Elkun traveled through Central Asia and the taste of anjur opened up a portal to his past, however, this past sweetness was immediately cancelled by the brutal present. Just several hundred kilometers away across China’s border, his family’s whereabouts is unknown.
Sübhi’s poem depicts a Uyghur woman publicly experiencing cultural aggression from a group of ethnic Han men. At the moment, the state’s purge and cultural genocide of Uyghurs is working in Han men’s favor, allowing them to reach Uyghur women previously unattainable to them, resulting in many involuntary inter-ethnic marriages.
Originally published on Darren Byler’s Xinjiang Column on SupChina, March 6 2019
Shared with authors’ permission, Sep 22, 2019
Fatimah has testified for her mother and her people on different platforms many times, but this time she chose to present a poem to the world.
Juxkun, a concerned friend of Xinjiang, also designed this T-shirt to address the issue of China’s resource extraction in Xinjiang. Besides the cotton and oil industries, Xinjiang produces more than 70% of China’s tomatoes and a significant portion of canned and processed tomatoes for export into the global economy, for example Heinz tomato ketchup.
After seeing that Muji not only sources Xinjiang cotton but also brazenly advertises it, Juxkun, a concerned friend of Xinjiang, took to action. He customized a stamp from a local stationery store including a QR code link to a WSJ article about Xinjiang forced labor, then he stamped it onto the Muji shirt tags in hope of educating the consumers about the stories behind the Muji shirt.
A police walks up to an empty mosque
This is an otherworldly image, almost like a storm trooper on patrol on one of the empire’s colonial outposts. Photographer Theo Santana has walked the earth freely but never encountered the level of security checks and surveillance like in China’s Xinjiang. He shared these photos online at the end of 2018.
Yangisar on the abyss poses questions for the people who are forced into an exiled, stateless life, a life in which everyday existence is precarious and uncertain just like in this picture.
Artist Shimizu Tomomi (清水ともみ) rendered Mihrigul Tursun‘s testimony given at US Congressional hearing in Manga form. Mihrigul’s testimony gave accounts of various torture and gender based violence inside one of the ‘re-education camps’ in Xinjiang. It is never easy to gather the courage to speak on the trauma and inhumane treatment from an unjust system, especially for Uyghurs; this could mean retaliation to their families from the Chinese government.
Kazakhstan is facing Chinese expansion and surveillance directly across the border. At the same time, the youths there are fighting against their government’s corruption and autocracy. Bravo to these young artists’ creative initiative to reflect the truth behind the government orchestrated tour of the Xinjiang ‘re-education camps’!