Shimizu Tomomi’s Art Testimony

Artist Shimizu Tomomi (清水ともみ) rendered Mihrigul Tursun‘s testimony given at US Congressional hearing in Manga form. Mihrigul’s testimony gave accounts of various torture and gender based violence inside one of the ‘re-education camps’ in Xinjiang. It is never easy to gather the courage to speak on the trauma and inhumane treatment from an unjust system, especially for Uyghurs; this could mean retaliation to their families from the Chinese government.

Badiucao's Chilling Images of Xinjiang Camps

Badiucao created the work titled “Xinjiang Auschwitz” on the 10th anniversary of the “7.5 Incident” which happened in Xinjiang in 2009—a violent clash broke out after long-term ethnic tensions came to a head, and was also a turning point for massive police surveillance and securitization of Xinjiang. The other work, “China’s Doctor of Death,” is inspired by an actual leaked photo from a concentration camp in Xinjiang. His work is an excellent visualization of how government policy aims to re-engineer Uyghur minds.

'A Uyghur Poet in Fairfax' by Nuo Ya

This is Tahir Hamut, one of the most renowned contemporary Uyghur poets, starting his life all over again in US at 47 years old. Displacement is not just the physical removal of one’s body from their native land. In the film, the psychological stress of uprooting and struggling hides in the silent gestures of his performance. Tahir is still writing, he writes poignantly about the distance between all the capital cities in which he has lived his life: Urumqi, Beijing, and Washington DC. The experiences of everyday life as an exile, a transnational being, struggles with immigration paperwork, survival, and witnessing the violence in homeland from afar… still linger and shape his poetry.

Letter to China: My Uyghur friend Zainur has been detained in one of your camps for two years

What is it like to be a Uyghur student in Beijing suddenly snatched up by the Chinese police state? Addy McTague writes about the friendship she had with Zainur, a Uyghur student graduated from Beijing University of Chemical Technology. Zainur is disappeared by China’s Muslim crackdown since 2017. Addy, back in US, recollects her memories with Zainur and submitted a testimony for her.

My Motherland

By an anonymous singer friend. Shared with artist’s permission on Sep 17, 2019. Featured image is credited to photographer Theo Paul. The image shows a skeleton of yurt in the open air. This is an object that symbolizes the reduced mobility for nomads in Xinjiang. Due to the state development projects, more pastoral nomadic populations were sedentarized or pressured to change their livelihood. Metal yurt structures replaced original wooden ones, which are dissembled and resembled quickly in mobile pastoral lifestyle.

An Unanswered Telephone Call: a film by Aziz Isa Elkun

This short film is based on Aziz Isa Elkun’s real life experience. Just like every ordinary British citizen, he takes his daughter to school on a beautiful day; just like every Uyghur living in exile, he has lost contact with his family, even their well-being has become questionable. Aziz interrogates this painful disjuncture and his identity becomes the answer. Yet, he tirelessly explains to the world what happened, unraveling his childhood, youth, and generational trauma inflicted by the Chinese state.

I know that the world will say “never again” when the last Uyghur is killed

The term “genocide” began to be used by more and more scholars and activists to describe the situation in Xinjiang. In her essay, “‘Never again?’ It’s already happening,” Anne Applebaum compared global indifference to the Xinjiang atrocities today to indifference toward the famine in Soviet Ukraine in 1933, which was widely covered in western media at the time like Xinjiang today. Fred Hiatt used “Kristallnacht” (Night of Broken Glass) — the destruction of synagogues, cemeteries, and Jewish businesses — to describe the mass demolition of Mosques and Muslim cemeteries in Xinjiang today.